From the very opening scene, Rafe Judkins seems unapologetically focused on turning The Wheel of Time into The Wheel of Thrones. Unfortunately for Judkins – and for everyone involved – everything about The Wheel of Time is diametrically opposed to GRR Martin’s vision and tone. Jordan and Martin were friends, yes – but they have very different ideas about what fantasy should look like. The chief and most glaring problem with this series is that they already had a story – set in successive stages – and they are ignoring it, almost completely. Instead, they have changed major plot points with implications for the eventual end of the series, and have seemingly no plausible reason for doing so, aside from pure expediency.

I’ll go into the individual issues shortly, but let me give you an overview of the problems they have created. This will be done by spoilers, sorry. The book series has been done for nearly 10 years. Whatever the plot of this series is, it isn’t the Wheel of Time’s – so I’m not interested in spoilers for that, either. This is a review, from a longtime reader, so if you don’t want book (or series) spoilers – you probably want a different review. There have been major changes to the characters, geography, magic system, and various setting elements introduced which cause significant plot issues for the story down the line.

Let’s begin with Episode 1. The story goes off the rails almost immediately when, in the opening scene with the Reds, Liandrin says to the unnamed channeler; “this power – it’s meant for women, and women alone. When you touch it, you make it filthy.” The male half and the female half are separate. What men touch is not Saidar – it is Saidin. Only Saidin is tainted. The women’s half of the source, Saidar, is untainted by the Dark One. I noticed this mistake instantly. Most other readers of the series will, as well. It is the Dark One who tainted Saidin – and it is the Source which taints men, not the men who taint the source. Next, in Lan and Moraine’s conversation that I’ll refer more to later, she says that there are “rumors of four ta’veren there” in the Two Rivers. This is a particularly egregious line, as ta’veren are exceptionally rare – and the Two Rivers are exceptionally isolated. For someplace so isolated – where not even an Andoran tax collector has gone in generations, and whose only ties to the outside world are the occasional peddler – how would “rumors” get out, let alone rumors of 4 ta’veren in one small settlement? The reason Moraine goes there in EotW is because the Karatheon Cycle says that the Dragon “…will be of the ancient blood, and raised by the old blood.” It isn’t clear (even to Moraine) which “ancient blood” is being referred to, but the blood of Manetheren is old blood indeed. Indeed, Moraine is shocked to discover later (as she gets to know the Two Rivers folk) that she has multiple ta’veren on her hands. Many readers seem to be shocked to discover that four of them are ta’veren – and rightly so – because they aren’t.

ROBERT JORDAN – For ben, of course women can be ta’veren. None of the major female characters in the books is ta’veren, though. The Wheel doesn’t cast ta’veren around indiscriminately. There has to be a specific reason or need.

BRANDON SANDERSON – I’ve often gotten questions from people asking if Egwene was ta’veren. Obviously not, as Siuan would have seen the glow of it.

The current Amyrlin Seat, Siuan Sanche, has the ability to “see” ta’veren – and she doesn’t “see” Egwene or Nynaeve as such – or Elayne, for that matter. Ta’veren are made, not born, as the quote above shows. Only three ta’veren came out of the Two Rivers.

On to the opening scene in the Two Rivers; Egwene’s induction into adulthood is a mere mention in the books – she has been permitted to wear her her hair braided for the first time – and this seems to be permitted by her mother. In the series, she is being inducted into “The Women’s Circle” – which in the books, is the circle of women leaders of the village – and is a very select company of gray-haired women. That membership (at this point of time) consisted of Nynaeve al’Meara, Daise Congar, Alsbet Luhhan, Marin al’Vere, Natti Cauthon, and Neysa Ayellin – by no means a large company. Nynaeve is impossibly young, for a Wisdom – and even younger to be on the Women’s Circle, even by dint of being Wisdom. Having an even younger not-quite-apprentice Wisdom on the Women’s Circle beggars belief – or, alternatively, the show doesn’t know what the Women’s Circle is. The entire “mystical” induction sequence – the dialogue, the ceremony, being pushed off the rocks into the river, “trust the river”, the grotto (and all that seems to entail) is completely fabricated for the show and has no basis anywhere in the books. Next, there’s a line Perrin drops about Taren Ferry being full of soldiers and mercenaries headed south. Geographically, this is nonsense. The Two Rivers is isolated by terrain, as the conversation with Padan Fain and the Village Council in the books bears out. They are hemmed in by mountains, a mire, and the eponymous two rivers. The only supposed access to Ghealdan (which the panicky, uneducated villagers are afraid of providing a path through the Two Rivers) would be through an exceptionally dense (and most importantly, pathless) forest, the Forest of Shadows, that has grown up between the two mountain ranges that almost meet in the south. Taren Ferry is on the opposite side of the Two Rivers from Ghealdan, and might with great justice be called the gateway to the end of nowhere. There would be absolutely no reason for soldiers to be gathering there – and where, precisely, would they be gathering from? Taren Ferry (and even Baerlon) is 500+ miles from anywhere accessible to soldiers from even Andor – who would have no reason to head in the direction of Whitebridge, let alone into the hinterlands near Baerlon. While we’re on geography, too – there is no river through Emond’s Field. There is a small springfed creek, called the Winespring Water, which starts just outside town, is bridged by the Winespring Bridge near the Inn, and which feeds into the Mire in the southeast – but that is easily crossed. Putting a river through the middle of, or just outside of town is problematic. The Two Rivers after which the area is named are dozens of miles off in either direction – the Taren to the north, and the White River, aka the Manetherendrelle, to the south. The villagers would have to go quite a bit past Deven Ride to the south, or to Taren’s Ferry in the north to reach either of the rivers forming a natural boundary to the area – and they are quite large rivers – unforded and formidable. The geographical problems the show poses are legion, as we will soon discover.

Now we come to Moraine’s entrance. Instead of arriving during the day, and instead of claiming to be a noblewoman asking for stories, she is instantly recognized (and named) as Aes Sedai by Marin Al’Vere. The Two Rivers is exceptionally isolated. Far more isolated than the show seems to want to admit. In the books, they don’t recognize her as Aes Sedai until she and Lan are actually fighting Trollocs, and she channels in their defense -calling down lightning is pretty unmistakable. The series also completely skips over her engagement of the three young men (along with a couple others of similar age) as gophers, and her giving them small coins as payment – which, later on, allows her to track them. Egregiously missing, and egregiously replaced by Moraine in a dramatic evening entrance to the inn, is Thom Merrilin – a gleeman who was contracted by the village council to tell tales and perform for Winternight.

Other changes: Perrin is unaccountably (and seemingly unhappily) married to Laila Dearn, a possible love interest he mentioned – once – in later books. Abell Cauthon, horseman, master archer and farmer, is (for whatever reason) a womanizer and drunk – while his wife, Natti, is a drunken slattern who neglects her children and lashes out at her son – instead of solid and levelhead members of the Women’s Circle and Village Council, respectively. Also unaccountably missing are Haral Luhhan, Perrin’s blacksmith Master (Perrin is rather young at 20 to be the village’s blacksmith, although about to become a journeyman) and his wife Alsbet – also members of the Village Council and Women’s Circle, respectively. Why a random wife and drunkard parents were added to the show completely escapes me – and will cause multiple plot issues later – assuming the show lasts that long. Another thing that was added was a sexual relationship between Rand and Egwene. Now, I know that later on in the series, there is some extensive hanky panky in all directions – however, it’s pretty well established that such hanky panky would have been severely punished by pretty much everyone in the Two Rivers. In fact, there’s a story told about a similar situation in which the two participants were both treated as children for a significant time – well, here, let me quote it – and this occurs in book Five.

For that matter, he remembered when Nynaeve caught Kimry Lewin and Bar Dowtry in Bar’s father’s hayloft. Kimry had had her hair braided for five years, but when Nynaeve was through with her, Mistress Lewin had taken over. The Women’s Circle had nearly skinned poor Bar alive, and that was nothing to what they had done to Kimry over the month they thought was the shortest decent time to wait for a wedding. The joke told quietly, where it would not get to the Women’s Circle, had been that neither Bar nor Kimry had been able to sit down the whole first week they were married. Rand supposed Kimry had failed to ask permission.

The Fires of Heaven, pg. 53 – emphasis mine

Again, I’m well aware that later on in the books, there are great varieties of hanky panky going on. In the Two Rivers, however, this sort of thing is unacceptable. Adding it is gratuitous – not to mention the fact that they are depicted as getting it on in… the middle of the tavern’s common room, in front of the fire (where Moraine had just warmed her hands earlier), where literally all the guests upstairs could walk in at any time. Why? Also, the Al’Veres should have a cozy little inn, not a boisterous tavern. It’s just… perplexing? We won’t even get into the Voldemort-looking Myrddraal.

Cue the next day. There are a variety of things to hate here, too. As many, many others have mentioned – the match. Guys, there are no matches in this world – they haven’t been invented yet. In fact, a significant plot point later is the invention of matches by an “Illuminator” (Calling Aludra!)- one of a guild who have the secret to fireworks and their manufacture – whom we don’t meet until the next book, and who doesn’t create matches until a significant amount of time passes. Little details like this are what make or break adaptations of existing source material. It points to the people writing this show not actually knowing said material. Tam (and Rand) using matches here is just flat out stupid. We won’t even get into the completely inserted nonsense about Bel Tine lanterns and “guiding spirits back to us”. Also, just because it annoyed me as well – Winternight is the night before Bel Tine. It is the last night of winter, while Bel Tine heralds the coming of spring. Winternight is the celebration that the Trollocs interrupt. Fain arrives on the morning of Bel Tine in the series – while Rand and his father discuss whether they should “be there for Bel Tine tonight”. In the show, they had stayed the night in town (which they don’t typically do, being farmers) over Winternight, but had left the next morning to return to their farm. Bel Tine was a day of festival, with contests and dances and the like. Tam and Rand avoid those entirely (and they are not pictured in the show) and return to their farm. The Trolloc attack therefore occurs on Bel Tine itself.

On to Moraine and Nynaeve’s made-up conversation. The stupid “sacred grotto” makes yet another appearance – and Nynaeve’s parents are thrown under a bus to create unnecessary drama. Her mother does die when she is young – not a baby – but her father is alive well into her teens, and teaches her woodcraft – which, in addition to her link (through Saidar) to the young people, is how she tracks and finds the party after they leave the Two Rivers. There was no reason to delete her parents here – and this part of the story seems even more contrived and hackneyed as a result. We know who her parents are from the books – and she is too old to be the Dragon, and female besides – so why are we bothering with this? Maybe the showrunner is too source deaf to figure out that the Dragon is male for a reason, and we get these idiotic red herrings about female Dragons – but there is a reason in the material that the Dragon has to be male. Not to mention that the Karatheon Cycle straight up says he is. Plus, there is a made up story about Doral Barran – with the even more unbelievable accusation that Aes Sedai care about whether someone is a peasant or not. The current Amrylin seat grew up a fisherman’s daughter – and most, not few, Aes Sedai are of peasant origin. We move on to a scene with Mat and Fain. Mat is now depicted as a thief pawning stolen jewelry, in addition to the rest of his newly terrible family life. Fain is probably less creepy than he should be, although he couldn’t very well be more creepy. The following scene with the boys at their table is awkward and unnatural – as most of their scenes are. Instead of being generally happy folks, Mat and Perrin have an uncharacteristic brooding pathos that has been entirely fabricated by adding in these new elements. It completely changes the character of their interactions – and thereby, their characters. Rand is the least changed – although the decision to change around Thom and Min’s meetings with the group, to escalate the encounter with the ferryman to cause his death, and to put the army of trollocs right on their heels, instead of having the Draghkar in the skies ramp up Rand’s aggression toward Moraine and make it look unreasoning – when in the books, there is a general progression which brings him to that pass – one which takes days, even weeks, of events to bring about.

The Trollocs all look like Steppenwolf from Justice League, honestly. Not a terrible decision, but I can’t get it out of my head. When they attack, the body count seems a bit higher than in the books, but they’ve expanded Emond’s Field somewhat from the size in the books, as well. Moraine and Lan carving through the Trollocs is a pretty righteous scene, I have to admit (although a trifle extended from what it should be); it omits Lan warning the village of the impending attack – and results in Moraine tearing down the Winespring (the only brick building in the village, incidentally) to wipe out this newly beefed up attack on the village the show incorporates. There is an entire fist of Trollocs present here. Even a Halfman will retreat from an Aes Sedai and Warder (and a roused township) – and that’s what is supposed to happen at Winternight. In this version, though, at least 25 (and possibly more) villagers die, the fight goes on much longer, Moraine is randomly pegged by a thrown dagger and destroys half the village by herself, and Nynaeve is carried off by the braid in a scene right out of the Battle of Emond’s Field 10 books later – by a Trolloc who has a throwdown with Nynaeve (again with the stupid grotto!) doing her best Birgitte impression (which she seems to have been doing all along). Here I was thinking that Nynaeve would call that man-brained idiocy, and thinking with your muscles – right? Well, apparently not. There’s also Daise Congar being… whatever it is when she tells the Trolloc “you want a real feast”. Look, Congars and Coplins… they’re special – but that’s special, even for them, okay? Since Moraine destroyed the inn, now we have the conversation where we decide to leave in the middle of the village green; all in the space of 2 minutes from Rand’s entrance into town, and Perrin carting his wife’s body to the corpse piles. One thing I did appreciate, however – Moraine’s exposition at the end with the iconic “…but it was a beginning”.

So, on to Episode 2. We open with the Tide Poster Children (of the Light) – who instead of wearing just white cloaks, apparently wear all white, all the time, even in the field – and we are treated to another… fascinating departure from the source material in the form of Eamon Valda, of all people, privately burning a Tar Valon “witch” for his own amusement, and collecting her ring to add to his collection – after he cuts off her hands, of course. We then cut back to the Emond’s Fielders, who are fleeing along a riverbank. Which river? I have no idea. there are no rivers heading north and south anywhere in the middle of the Two Rivers. Both of these rivers run east and west, and bound the area in from the north and south.

The North Road doesn’t run along a river toward Watch Hill and Taren Ferry. The Winespring isn’t large enough for this scene to make any sense, either – and where would you go down it, anyway? It is sloppy errors like this – for purely aesthetic reasons, apparently – that make this show so maddening.

Instead of Dragkhar pressing them from above to Taren Ferry – we go directly to Shadar Logoth. For a bit about why this is extraordinary, we have to talk about distances. It is 171 miles (150 WL miles) from Emond’s Field to Baerlon – which the show completely skips past. Taren Ferry is just slightly less than halfway to Baerlon from Emond’s Field (assuming the scale in the maps are correct – and I suspect it isn’t, quite) – say, 65 WL miles or so. In Ch11, they reach Watch Hill at a gallop. It is slightly less than halfway to Taren Ferry on the map – say, 30 miles. They are about at the limit of horses (30-35 miles) at a sustained speed (which, by the way, isn’t a gallop) – therefore Moraine’s ministrations to the horses at this point makes sense. They reach Taren’s Ferry before morning (but to be fair, 60+ miles in a night isn’t exactly realistic, but we’re dealing with magic users and the first book in a series, so we’ll wing it) and the ferryman brings them across (and doesn’t die, by the way – his ferry does get sunk, but they just give him more gold). At this point in the show, Moraine should have created the fog to misdirect the Draghkar, et al – and they camp for the night, before heading for Baerlon the next morning – which seems to take a total of six days in the books. She doesn’t do that in the series. Instead, they press on for a while more, then rest at some undisclosed location – presumably in the woods northeast of Taren Ferry, approximately 15 miles away, which is the closest wooded area in the direction of Shadar Logoth. See the map of the wooded area in roughly the shape of Africa below – that’s where they’d have to get to before camping in old forest, instead of camping in the convenient wood just west of the road north of the Taren.

At this point in the show, they’ve covered 80 miles in a single night – and still have time to rest until morning, apparently.

During the discussion with Egwene (at which point she, too, questions the Aes Sedai overly aggressively – since the ferryman just died to no apparent purpose for additional drama) Moraine relates The Three Oaths – but with a startling omission, given what she just did in Emond’s Field; she omits the clause(s) “against Darkfriends or Shadowspawn, or” prior to “the last extreme defense of her life”, etc. If words are so important, why does she leave that part out? Again, if words are so important – why do we add the line “it’s the wind that listens to you?” You do not control the One Power. You channel the One Power – you are a conduit – you surrender. Practically all of the high drama in the next morning’s conversation is entirely fabricated – as is the Whitecloak encounter they have, instead of the one they should have had in Baerlon. There is also at least one strange issue with this encounter. Bornhald tells Moraine to see a sister at Whitebridge to heal her wound. It is hedged about, to be sure, but hardly something a Lord Captain would say in front of a Questioner – or at all. Something else worth mentioning is that Whitecloaks, on the main, wouldn’t believe in Trollocs out of the Borderlands or the Blight itself.

Now we’re into geography problems again. Whitebridge is 588 WL miles from Baerlon – as the crow flies. We do get a sort of limited travel montage, so it wasn’t quite as bad as I thought it was on the first watchthrough – but the terrain involved is not nearly as varied as it appears from that montage. There are no significant bodies or water or wastelands between the wood northeast of Taren Ferry and Hills of Absher – north of the Caemlyn road. The road itself isn’t nearly well defined enough, either, if that’s what they are traveling on several days later. It is used for a significant amount of overland traffic between Whitebridge and the mining town of Baerlon – which means wagons laden with metal and rock. As such, it’s almost certainly paved, and definitely kept in good order. Further, the huge overlook Rand is standing on, depicted in the group scene, isn’t a terrain feature anywhere between Baerlon/Taren Ferry and Whitebridge. Anyway, it’s roughly 60-65 WL miles to Taren Ferry from Emond’s Field. It’s an additional 85 WL miles to Baerlon – but approximately 120 WL miles overland to Shadar Logoth from Taren Ferry – 15 of which they covered the day after their flight from Emond’s Field to Taren Ferry. In the books, they took 6 days from the river crossing to reach Baerlon to recover the horses – but the trip down the Caemlyn road took only 3 as far as Shadar Logoth (due to the better road, and the horses having rested again). They reach Shadar Logoth on the 11th day after they leave the Two Rivers, I believe, since they spend a day in Baerlon before being chased out by a Fade. Going overland for most of that route would cut their pace significantly. We’re probably looking at well over a fortnight in that case. An overland trek to the road, and then on to Whitebridge, makes significantly less sense – and would take even more time than otherwise, not less, as the series depicts; but more about that in a minute.

The single most significant moment in the series so far (lore wise) occurs on the ride when they begin to sing a peculiar song they don’t seem to really understand – and Moraine delivers a stripped-down version of the Fall of Manetheren – the story she should have told to unite the villagers when they angrily confront Moraine about the Trollocs, instead of Rand making that confrontation alone. I must admit, that song (and the story to follow) was pretty cool – probably the coolest thing in the series for me so far. At least I get *one* thing that’s even remotely close to the story out of all this. Sadly, it may be the only thing. We are then told that they are headed for the road (east to Whitebridge, we are told, which means that they’re headed overland toward the Caemlyn road – the small track they are on can’t possibly be the Caemlyn road, as they haven’t gone nearly far enough yet, and the path isn’t nearly well-defined enough). We are not told why they would be “skirting Shadar Logoth” – it is miles north, across the Caemlyn Road. (Shadar Logoth is another 100 WL miles or so from their initial camping spot out of Taren Ferry, as the crow flies, and significantly out of the way if they are truly headed for Whitebridge.) Why they would be tooling around north of the Caemlyn road, and trapping themselves against a navigable river like the Arinelle beggars belief. Where they are supposed to “find a sister who can heal” Moraine, as Lan says, in a wilderness as complete as that which obtains near Shadar Logoth, is a complete mystery. They are above the Hills of Asbher, and hundreds of miles from any settlements whatsoever, at this point – which, I might add, makes their meetings with both the Whitecloaks and later, the sisters with Logain, that much more unlikely – vanishingly unlikely, given the geography, which we will further address shortly. When Moraine falters at last, due to the randomly added dagger wound she received Emond’s Field, a Fade catches up with them, and they ride to the city. East to the city. If you look at the map above, that means that they have passed the road, nearly hit the river, and are actually skirting around that significant bend somewhat south, in order to hit the city. They arrive at Shadar Logoth as it is turning light. The horses stop dead and refuse to go on as soon as they get a certain distance away from the walls – but just as suddenly are willing to go again when the group finishes their conversation. Convenient. The hundred foot wall has a similarly convenient narrow crack in it right where they arrive. At this point, they have covered 180 WL miles, with 350 or more to go just to Whitebridge – and are driven out of Shadar Logoth at nightfall, instead of in the middle of the night (and incidentally, Lan and Moraine leave via yet *another* conveniently narrow crack in the hundred foot walls) – and by Mashadar, not by a combination of Trollocs and Mashadar – which is the crucial combination.

Rand and Mat get out of the grating just in the nick of time, chased by Mashadar’s oil slick instead of being driven out by Trollocs on the one hand, and the tendrils of Mashadar on the other. Mashadar is a black creeping film in the show, rather than a darkly luminous mist. They push a fallen log across the river (which is unaccountably narrow, considering that this is the Arinelle – a river that is navigable by coastal vessels all the way to the Borderlands in Saldea) and make their way to a mining town in… uh, a mountainous gorge. Of which there aren’t any, to my knowledge – especially not between Shadar Logoth and Whitebridge. There aren’t any mountains between the Mountains of Mist and Kinslayer’s Dagger – not unless you’re going down to Garen’s Wall, which separates Ghealdan from Andor. I’ll be honest with you here – from this point, the show doesn’t even pretend to be The Eye of the World. It sort of pretended at the beginning, but now it doesn’t even pretend. It just throws characters in and out, topsy turvy, doing whatever they want to whomever they want, wherever they want – with no order, rhyme or reason. For example, Lan, of all people, gives a lengthy treatise on Shadar Logoth – which should be Moraine’s – because they’ve given Moraine a random dagger wound that prevents her from giving it – and is the new pretext for them having gone to the city in the first place, rather than three fists of Trollocs each ahead and behind giving them no other choice but north or south of the road. While I’m sure the conversation between Mat and Perrin is touching – it’s yet another fabrication, about a situation they contrived exclusively for the show. There are only two things that happen in Shadar Logoth that happened in the books. Mashadar spreads, and Mat takes a dagger without telling anyone. Everything else is fabrication. There is one interesting item I hadn’t noticed, however – albeit yet another fabrication. There is a whistling heard in the streets prior to Mat’s trip out to get the dagger. Fain’s whistling. In the books, you see, the Trollocs drive Fain with them as their hunter – it is he who tracks them from Emond’s Field. He doesn’t, however, run into Mordeth until after the escape of the Two Rivers folk – where Fain also makes his escape from his masters. When he encounters Mordeth, Mordeth tries to subsume him, but is unable to do so, since Fain has been changed by what was done to him to make him the hound of the shadow. In the show, Mat (alone) follows a shadowy figure to the building where he finds the chest containing the dagger – instead of surreptitiously acquiring it from Mordeth’s treasure hoard during the encounter.

From here, we meet a randomly fabricated darkfriend barkeep, an Aiel in a cage that Mat, not Perrin meets – and who is dead, not alive. We meet Thom in a nonexistent bar in a non-existent town, playing a guitar, not a harp. We skip the river passage, we skipped Moraine’s money which pays for it, we skip Thom’s involvement in the trip – in the escape, he’s the one who gets them better conditions on the boat; and we have skipped any necessity for them to be in Caemlyn ahead of the rest of the group. We’ve skipped Elyas, we’ve skipped Lan and Moraine’s involvement in Perrin and Egwene’s rescue from the Whitecloaks; we’ve skipped Mat’s defense of Rand from Shaine, Rand’s defense of Mat as he deteriorates (not to mention his actual channeling to escape Gode, which has the side effect of partially blinding Mat). We’ve added Tinker non-violent confrontation with Whitecloaks, and Valda in this stage of the story at all, let alone setting him up as an Aes Sedai-burning torturer. Valda is not even a Questioner, people. He is a blademaster, and a combat veteran. Jaicham Carridin is the Questioner and Inquisitor of the tale – and it is he who has the hatred of Tinkers, not Valda. Last, but certainly not least, we’ve added Logain at least 700 miles north of anywhere he could possibly be. We’ve already spoken of the fact that the Two Rivers is isolated – Ghealdan’s northern border is Garen’s Wall – a craggy mountain range (with no passes) that stretches nearly the entirety of the way from Altara to the Mountains of Mist. There are zero ways to get to Andor from Ghealdan that don’t go through Altara and Murandy. We’re talking well over a thousand miles around the mountains, and through two countries – just to get into Andor via Whitebridge, the only crossing into Western Andor. Just for giggles, too – Andor has more soldiers posted at the border to Murandy than anywhere else – perhaps excepting Cairhein, but probably not at this time of the story. Now, how are we supposed to believe that Logain got there – or that a picked guard of the King of Ghealdan, including the King himself, got there, in the hinterlands of Western Andor where there is literally nothing of interest whatsoever? Nobody has rediscovered traveling yet, my dudes. Further, while we’re on the subject of Logain – men cannot see women’s weaves. He couldn’t see Nynaeve “shining like the sun” if he were referring to her channeling. Men can tell that women are channeling. It is very subtle – they get gooseflesh when it happens- that is all. It is not a matter of degree, either. Women have to use a special sort of ter’angreal to accomplish the same thing – but they still can’t see the men’s weaves, and neither can men, with women. This may be a reference to Logain’s ability to see ta’veren – but Nynaeve is explicitly not ta’veren, per RJ, as we explained previously. It could also be a reference to Moraine telling Logain that the true Dragon will be “like the raging sun.” These attempts at misdirection harm the story, not help it. Again, Logain cannot see women channeling, so no matter how powerful she is, it is irrelevant as to what Logain sees. In addition, she is not ta’veren – so his ability to see ta’veren is not applicable either. Therefore, neither suggestion makes this encounter explainable – assuming, of course, that it is either sensical or possible for him to be in Western Andor in the first place – which it isn’t.

As to the Crown and Lion being in.. Tar Valon… which crown could that refer to? Which Lion? The White Lion is the symbol of Andor, and the proprietor of that inn, Basel Gill, is a firm supporter of the Queen of Andor – and figures very heavily in the remainder of the story – he is also the source of information about Thom Merrilin’s past, for that matter. We are then embroiled in an entirely fictitious drama concerning the Warder, Stepin, of the slain Aes Sedai Kerene (a former Captain General of the Green, and we’d assume current Captain General) – who actually died at the hands of Black Ajah while searching for the newly born Dragon 20 years earlier. The drama is high, and it shows the Warder bond clearly – but again, it is entirely fictitious, and creates a number of continuity issues – not least with the current Captain General, Adelorna Bastine, figuring so prominently in the later story.

Before I get to the character arc issues, I want to make a serious note – many folks, including the showrunner, seem to have the mistaken idea that the main characters needed to be “aged up”; but he has internal consistencies even there.

We aged up the Emond’s Field Five from the books because sometimes TV shows with a bunch of 17 year olds as leads feel more like YA and Wheel of Time isn’t YA— Rafe Judkins (@rafejudkins) August 18, 2021

Moraine, when viewing the capturing of the channeler in the opening moments of the series, says “it isn’t him” – and is chided by Lan, who says “He was born 20 years ago.” The Emond’s Field trio are all within a few weeks of 20 in either direction (all born in 978 NE)- with Nynaeve only four years older (974 NE), and Egwene two years and change behind them at 17 (981 NE) – at which age she begins to braid her hair, and is considered a woman. The prophecy referred to demands that the Dragon be born at a certain time – a time 20 years previously. While the actors look older, the characters are apparently the age they are supposed to be, given Moraine and Lan’s exposition in the series. They don’t need to be “aged up” – they are all supposed to be 20, not 17; and although Egwene is younger, she is still an adult. They all begin as adults in the novel Eye of the World – braiding her hair means that she is considered an adult by all and sundry – and she is the youngest of the group by a comfortable margin. The idea that the writers and the showrunner seem to have that they should include the female characters as possibly the Dragon seems to be the only reason for ignoring the actual ages of the main characters – which are well-documented. Any reader of the series could have told them that the three boys were very close in age – and all roughly 20 years old. The strange relationship tensions that are introduced by the changes to Egwene’s relationship with Rand and the marriage of Perrin don’t “age up” the characters – they just introduce juvenile, badly-written drama that adds nothing to the story, and remove significant elements of it.

Firstly, Perrin’s story arc will now necessarily be almost completely different from the actual plot. By giving him a wife, who he immediately kills, you now have a serious problem on a variety of levels. Most importantly, the issue with the slaying of Whitecloaks no longer has primacy as the first and most important act of violence in his young life. This act defines him throughout the entire series of books. It occurs only after he has been formally introduced to wolves as companions, to Elyas, to the Tinkers, to the concept of ravens as the Dark One’s eyes (and killers!) – to Stedding – and finally, to the Whitecloaks. Perrin slaying the Whitecloaks (and Hopper’s sacrificial defense of Perrin) is integral to his self-image throughout. It affects literally everything Perrin does throughout the books – and drives practically everything about the events which drive him, as well. Further, the decision to exclude the Luhhans from the story has significant consequences later on – notably concerning them being his hostages to the Whitecloaks, as well as once Perrin returns to the Two Rivers – but especially when Haral saves Perrin’s life in AMoL. Two very large-looming figures are gone from his life, and the substitute we are given (and who is immediately taken away) is not going to compensate. There is now no Whitecloak slaying. In fact, it is Egwene, not Perrin, who commits the only act of violence, and stabs Valda in their escape – and given his importance later on, I highly doubt his demise is imminent. Further, practically everything about Perrin’s character (as we’ve seen thus far) is going to be about Laila, not his self-horror at the connection with the wolves, and his self-image as a bestial murderer that comes from that connection.

Secondly, Mat’s story arc now revolves around a bad family life, not his own character. Abell Cauthon is now a womanizer and drunk; which I would imagine precludes him as Tam’s second-in-command from the Two Rivers, and from various other heroic exploits he performs throughout. There is also no character buildup of Mat (or Rand!) as gleeman’s apprentices – skills which figure prominently throughout the rest of the books. Mat’s juggling, sleight of hand, and knife skills come from this period – and Rand’s flute playing does as well. Compressing their interactions with Thom into a single song, a theft or two, one heart to heart talk with Rand and Mat each, and two fights gives us very little tie between these characters. Mat’s unexpected facility with the old tongue in moments of stress has also been elided – which will have consequences later as well. We’ve also completely skipped Bayle Domon, which has additional plot consequences – not least in the Last Battle. Not least, playing Mat up as the Dragon is completely, utterly, unbelievable. Even given the fact that they’ve done their absolute dead-level best to remove each and every single thing about Rand which would have given a single clue that he was the Dragon (you have noticed that, haven’t you?) – Rand’s still the Dragon. Mat has just been made pitiful, and all of the unique elements of his character have been stripped of him for expedience’s sake, and to make bloody room for all of the utter sweep swallop they’ve replaced the story with.

Thirdly, since Rand’s character arc has Mat seemingly introduced (quite ham-handedly, I might add) as the obvious choice for the Dragon – despite the fact that Rand alone looks foreign – and that we know who Mat’s parents are. Using him as the stalking horse for all of the early distrust of Moraine is problematic, as well. Look, the only reason you don’t suspect Rand to be the Dragon by now is because they’ve gone out of their way to replace each and every thing in the story that tells us he is the Dragon. When they unveil him, it’ll be a complete non-sequitur. Think about it. There’s nothing about him getting goosebumps as Moraine channels, nothing about Bela, nothing about his feverish encounter with the Whitecloaks as he deals with the consequences of channeling, no lightning bolt to escape Howal Gode. The deletion of Thom’s companionship (and Baerlon entirely) removes several important plot elements, and the fabricated element of Nynaeve’s capture by Trollocs introduces still more issues.

• He no longer meets Min at Baerlon – or her prophetic words.
• He no longer runs afoul of the Whitecloaks, and one Whitecloak personally and in particular, at Baerlon.
• He no longer suffers, at Baerlon, the side effects of his first use of the One Power when he refreshes Bela to save Egwene, as he believes.
• Nynaeve doesn’t meet up with the party at Baerlon, so doesn’t encounter Shadar Logoth – which will have plot consequences at a later date.
• He no longer encounters a Fade at close quarters for the first time, to learn that “the look of the Eyeless is fear” – and to mark him out as one the Dark One wants especially.

The exclusion of the encounter with Mordeth (and the exclusion of Rand and Perrin from the excursion) does two things with the Shadar Logoth plotline; there is now no reason for Padan Fain/Mordeth to be able to resist the Dark One – and no specific reason for him to hate Rand and Perrin in particular. Further, there is also no longer a specific tie-in to Rand’s eventual wound with the dagger by Fain/Mordeth – or Fain/Mordeth’s eventual death at Mat’s hands.

Fourthly, Nynaeve’s capture and escape introduces issues; the rivalry with Moraine for the Two Rivers folk (and for Lan himself) is practically gutted. Lan’s reasons for helping Rand – and his vulnerability to Nynaeve in the place he most considers home, Fal Dara – are shattered by these story changes, and replaced by a completely fabricated story involving an Aes Sedai who no longer dies at the hands of Darkfriends in New Spring, but at the hands of Logain in a place he never was. Nynaeve no longer tracks the Two Rivers folk to Baerlon, but instead tracks Lan all the way past Shadar Logoth – presumably to make her more impressive – despite the show’s having killed her parents off, especially the father who taught her to do the tracking she’s supposedly doing. Yeah, we didn’t think about that one, did we. Look, I just don’t think that the writers and showrunner are being very smart about this. You already have an entire host of strong female leads. You already have a female-controlled society, for the most part. Instead of following the story you already have, you turn Nynaeve into the same sort of “man-brained idiot” she decries through the entire book series. There is already a “hoorah Nynaeve” moment when they break out Perrin and Egwene. The sort of “mass healing” that she performs in the cave is… not a thing, either.

Egwene’s arc is in a similar mess to Rand’s. The inexplicable addition of Nynaeve’s capture and escape have introduced a weird tension over her place in life that shouldn’t exist – and the deletion of Thom and Nynaeve from the group have put several uncharacteristic outbursts in her mouth, instead of others, much like with Rand. The incident with the Whitecloaks is now all about her ability to channel, instead of Perrin’s slaying of the Whitecloaks – and the flensing scene seems far more gratuitous than the horrific bruising that occurs in the books as a result of Byar’s ministrations and Bornhald’s cold-blooded pronouncements of execution. As with the other main characters, we are being presented with an entirely different person, created by entirely different experiences. The more it continues, the more it will necessarily depart from the actual Egwene. Even the incident with breakbone fever is reharnessed from Nynaeve’s healing what she believes to be a fatal childhood disease (but which is actually a painful, but relatively harmless disease) into a pronouncement that Egwene is “unbreakable”. While this may be true, it is of a piece with the wholesale changes made to the characters.

Here’s something to think about – out of the 5 episodes I’ve watched thus far, at least 4 episodes worth of run time has been spent on sheer fabrication. If they had followed the actual story at the same pace, they could be in Caemlyn right now. They’d have 3 episodes to spend – one on the Ways, one on Fal Dara and Borderlands in general, and one on the confrontation at the Eye. What in the world are they thinking? If I was writing this show, I would have stuck to the story – introduced Moraine, Thom, and Winternight in the first episode. Moraine’s story, the leavetaking, the events of the run to Taren Ferry (and the events immediately following) the second episode. The third episode would be in Baerlon, and introduce Min, Thom as a working gleeman, the Whitecloaks as involving Rand’s post-channeling sickness, Nynaeve catching up, the encounter with the Fade and their escape. The fourth episode would be travel to Shadar Logoth, the encounter with Mordeth, the escape; their meetings with Elyas and the Tuatha’an on the one hand, then the run from the ravens to the stedding; the escapades of Thom and the boys on board Domon’s ship on the other, and Moraine’s choice – ending with Perrin’s slaying of the Whitecloaks and the boys’ escape from Whitebridge and Thom’s battle with the Fade. The fifth episode (with, I might add, a similar ‘one month later’) would bring half the party to Caemlyn – make sure you do a short madcap scene of the encounters with Gode and Shaine, interspersed with them playing/juggling for their suppers – but that’s it – the boys arrive at Basel Gill’s Crown and Lion – resulting in the meetings with Loial, Logain, and Elayne – and the rescue of Perrin and Egwene by Moraine and Lan. The sixth episode would begin with Moraine sweeping into the Crown and Lion, to be told Loial’s story, and off into the Ways… Now, did we skip over some parts of the story? Yes. Did we add in random nonsense? No. We could have met Elayne Trakand and Min, had dealings with Bayle Domon, actual character progression with Thom, no idiotic false trails with Mat’s sickness, Nynaeve’s mass healing, or bad geography with Logain et al.

Instead of this ridiculously hackneyed, trope-laden soap opera, we could have had a sweeping epic. It was already written for them. All they had to do was adapt it. Not replace it. Not re-imagine it. This isn’t Robert Jordan’s Wheel of Time. This is The Wheel of Thrones – and it is vastly poorer for it.